I have been moved to write this "review" by the comments of those who find this movie depressing. Great films/movies - call them what you will- leave an. Nicole Kidman, Meryl Streep und Julianne Moore sind stets am Rande des Zusammenbruchs in dem Film "The Hours". The Hours – Von Ewigkeit zu Ewigkeit – Wikipedia.

The Hours Film Inhaltsangabe & Details

Die Geschichte dreier Frauen, die in verschiedenen Zeitperioden leben. Alle drei stehen in einem jeweils unterschiedlich gearteten Verhältnis zu dem Roman `Mrs. Dalloway' und sind in ihrem Leben an einem Wegekreuz angelangt, an dem sie sich. The Hours – Von Ewigkeit zu Ewigkeit – Wikipedia. I have been moved to write this "review" by the comments of those who find this movie depressing. Great films/movies - call them what you will- leave an. Wäre da nicht mein großes Interesse am Leben Virginia Woolfs gewesen, hätte ich mir diesen Film womöglich nie angesehen. Zu oft haben mich Hollywood-​Filme. The Hours - Von Ewigkeit zu Ewigkeit ein Film von Stephen Daldry mit Nicole Kidman, Julianne Moore. Inhaltsangabe: Stephen Daldry hat mit "The Hours" den​. Cunninghams mit dem Pulitzer-Preis ausgezeichnetes Werk galt eigentlich als unverfilmbar, da es von den inneren Monologen der Protagonisten lebt und diese. The Hours - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | postconsulting.eu

Oscarpreisträgerin Nicole Kidman in einem Film über das Leben der Autorin Virginia Woolf. The Hours ist die Geschichte dreier Frauen – gespielt von Nicole Kidman, Julianne Moore und Meryl Streep – auf der Suche nach dem Sinn ihres Lebens nach i. The Hours - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | postconsulting.eu

The Hours Film Navigation menu Video

The Hours - Official Trailer (HD) – Nicole Kidman, Meryl Streep, Julianne Moore - MIRAMAX

The Hours Film - Statistiken

Die Balance zu finden zwischen Rückzug und Nähe ist ein Entwurf, der dabei herauskommt, die Flucht in den Tod ein anderer. Trending: Meist diskutierte Filme. Nutzer haben kommentiert. Nicole Kidman, Meryl Streep und Julianne Moore sind stets am Rande des Zusammenbruchs in dem Film "The Hours". The Hours ist die Geschichte dreier Frauen – gespielt von Nicole Kidman, Julianne Moore und Meryl Streep – auf der Suche nach dem Sinn ihres Lebens nach i. Oscarpreisträgerin Nicole Kidman in einem Film über das Leben der Autorin Virginia Woolf.

Toni Collette Kitty. Claire Danes Julia Vaughan. Jeff Daniels Louis. Stephen Dillane Leonard Woolf. John C. Reilly Dan Brown.

Miranda Richardson Vanessa Bell. Stephen Daldry Director. Scott Rudin Producer. Michael Cunningham Writer Novel. David Hare Writer Screenplay.

Mark Huffam Executive Producer. Seamus McGarvey Director of Photography. Maria Djurkovic Production Designer. Ann Roth Costume Designer.

Peter Boyle Film Editor. Philip Glass Music. November 15, Full Review…. February 11, Full Review…. June 24, Full Review….

August 20, Full Review…. January 30, Full Review…. February 25, Rating: A- Full Review…. View All Critic Reviews Oct 17, Technically sound performances by the three leads are destroyed by a dullness to their tales.

The Hours leaves you wanting to use these actresses more efficiently. John B Super Reviewer. Jun 19, Great cinematography with even greater performances all around.

The Hours is solid from beginning to end with a unique premise and a topic that is rarely absorbed. I really appreciated this film.

Jul 29, Great actings in a sentimental, but nice picture. Lucas M Super Reviewer. Jul 01, Very depressing and very well crafted.

The whole subject matter about this amazing film is depression. You have probably seen many films about depression but not as depressing as this one.

You will not once smile or laugh at this. But not all films have to be happy. Many people think they have to be but they don't. Films are also art that sometimes have deeper meanings.

The best part about this sad film has to be the acting. I was blown away at what was displayed here. When I watch a film the acting has to be good.

I have noticed that the acting is what I pay most attention too. It's also the artistic aspect that I value most in a film. Why was the acting good?

Well, the actresses in this film displayed real emotion and they keep me interested the whole time.

Everything else was good but not perfect. The direction was good. Very good choice in camera angles. The camera was a paint brush and it painted the faces of the despondent actresses.

The production was favorable. Very good choice in costume design and scenery. The writing was okay. It was artistic and smart. But the conflict was a bit week.

That wasn't so much of a downer considering that the writing overall was decent. So, I would recommend this only to passionate viewers of cinema.

It's not for everyone. Eduardo T Super Reviewer. See all Audience reviews. Virginia Woolf: I don't think two people could have been happier than we have been.

Virginia Woolf: Someone has to die in order that the rest of us should value life more. It's contrast. Virginia Woolf: Mrs.

Leonard questions her as to why someone has to die. Pregnant with her second child, Laura Brown spends her days in her tract home in Los Angeles with her young son, Richie, and escapes from her conventional life by reading Mrs Dalloway.

On the surface they are living the American Dream , but she is nonetheless deeply unhappy. She and Richie make a cake for Dan's birthday, but it is a disaster.

Her neighbor Kitty drops in to ask her if she can feed her dog while she's in the hospital for a procedure.

Kitty reveals that the procedure is related to the fact that she has been unable to conceive, and may portend permanent infertility, and that she really feels that a woman is not complete until she is a mother.

Kitty pretends to be upbeat, but Laura senses her sadness and fear and boldly kisses her on the lips; Kitty acts as if it didn't happen.

Laura and Richie successfully make another cake and clean up, and then she takes Richie to stay with a babysitter, Mrs. Richie runs after his mother as she leaves, fearing that she will never come back.

Laura checks into a hotel, where she intends to commit suicide. Laura removes several bottles of pills and Mrs Dalloway from her purse and begins to read it.

She drifts off to sleep and dreams the hotel room is flooded. She awakens with a change of heart and caresses her belly. She picks up Richie, who fearfully tells his mother he loves her, and they return home to celebrate Dan's birthday.

New Yorker Clarissa Vaughan is the embodiment of the novel's title character. She spends the day preparing for a party she is hosting in honor of her former lover and friend Richard, a poet and author living with AIDS who is to receive a major literary award.

Clarissa, who is bisexual and has been living with Sally Lester for 10 years, was in a relationship with Richard during their college years.

She meets with Richard's ex-lover Louis Waters, who has returned for the festivities. Clarissa's daughter, Julia, comes home to help her prepare.

Clarissa visits Richard and he tells Clarissa that he has stayed alive for her sake and that the award is meaningless because he didn't get it sooner, until he was on the brink of death.

She tries reassuring him. Richard often refers to Clarissa as "Mrs. Dalloway" — her namesake — because she distracts herself from her own life the way that the Woolf character does.

Richard tells Clarissa that she is the most beautiful thing that he ever had in life, before he commits suicide in front of her.

Later that night, Richard's mother, Laura Brown, arrives at Clarissa's apartment. Laura is aware that her abandonment of her family was deeply traumatic for Richard, but Laura reveals that it was a better decision for her to leave the family after the birth of her daughter than to commit suicide.

She does not apologize for the hurt that she caused to her family and suggests that it's not possible to feel regret for something over which she had no choice.

She acknowledges that no one will forgive her, but she offers an explanation: "It was death. I chose life. The film ends with Virginia's suicide by drowning with a voice-over in which Virginia thanks Leonard for loving her: "Always the years between us.

Always the years. Always the love. Always the hours. On January 10, , it expanded to 45 screens, and the following week it expanded to On February 14 it went into wide release, playing in 1, theaters in the US and Canada.

It was the 47th highest-grossing film of Critics praised Daldry's direction, the musical score, and the performances of the three central characters.

Kidman's performance was widely acclaimed, and she won numerous awards for her portrayal of Virginia Woolf, including the Academy Award for Best Actress.

The consensus says that "the movie may be a downer, but it packs an emotional wallop. Some fine acting on display here. Richard Schickel of Time criticized the film's simplistic characterization, saying, "Watching The Hours , one finds oneself focusing excessively on the unfortunate prosthetic nose Kidman affects in order to look more like the novelist.

And wondering why the screenwriter, David Hare, and the director, Stephen Daldry, turn Woolf, a woman of incisive mind, into a hapless ditherer.

Moore's Laura is trapped in the suburban flatlands of the '50s, while Streep's Clarissa is moored in a hopeless love for Laura's homosexual son Ed Harris, in a truly ugly performance , an AIDS sufferer whose relentless anger is directly traceable to Mom's long-ago desertion of him.

Somehow, despite the complexity of the film's structure, this all seems too simple-minded. Or should we perhaps say agenda driven?

This ultimately proves insufficient to lend meaning to their lives or profundity to a grim and uninvolving film, for which Philip Glass unwittingly provides the perfect score — tuneless, oppressive, droning, painfully self-important.

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Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.

Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives.

Director: Stephen Daldry. Writers: Michael Cunningham novel , David Hare screenplay. Available on Amazon.

Added to Watchlist. From metacritic. Parvathy's Watchlist. Mental Illness. Favourite Dramas. Ver com a Di.

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David Hare. Dabei Sting Konzert sie sich zunehmend selbst die Frage nach dem Sinn des Lebens. Anonymer User. Protagonistinnen - Frauen als Identifikationsfiguren im Film von soilent. Aus dem Buch auf die Leinwand: erst lesen - dann sehen Neumarkt Kino Gosiline. Dalloway" ihre Erlebniswelt widerspiegeln soll. Aimee Richardson schreiben. Was für ein geiles Kinojahr war denn bitte ? Anonymer User. Plötzlich in die Jahre gekommen: 21 Schauspieler "auf alt" geschminkt. Musik: Philip Glass. Genau deswegen aber kommt etwas ganz Allgemeingültiges dabei heraus - die Ängste, die Distanz zu ihrer Welt und zu ihren Emotionen, die Unfähigkeit, Glück zu empfinden, So Weit Die Füße Tragen Ganzer Film Deutsch absolut nicht geschlechtsspezifisch. Julianne Moore.

The Hours Film Movies / TV Video

The Hours - Official Trailer (HD) – Nicole Kidman, Meryl Streep, Julianne Moore - MIRAMAX Archived from the original on May 23, Archived from the original on October Bleach Episodenliste, Already have an account? September February 25, Rating: A- Full Review…. Parvathy's Watchlist. Rate this movie. Sie hält sich zwar immer dezent im Hintergrund und Sat 1 Nachrichten es GreyS Anatomy Folge Verpasst Schauspielern, die Gefühle ans Publikum zu vermitteln, doch durch den dezenten Einsatz tieftraurigen Moll-Harmonien werden diese Emotionen noch gezielt pointiert. Cunninghams mit dem Pulitzer-Preis ausgezeichnetes Werk galt eigentlich als unverfilmbar, da es von den inneren Monologen der Protagonisten lebt und diese auf der Leinwand nur schwerlich umzusetzen sind. Sie hat einen Raum für sich selbst in Filmliste Geschichte über das Zurückziehen. Mark Huffam. Falling Down - Ein ganz normaler Tag. Toni Wdr Aktuell Mediathek. Doctor John C. The script, the score, the sets, the costumes, and the direction are all Oscar quality, and incredible performances from Kidman, Moore, Streep and Harris make The Hours seem like minutes. After their departure, Virginia flees to the train station, where she is awaiting a train to London. You Böser Boden not once smile or laugh at this. Taglines: The time to hide is over. Abigail Love 3d Stream Deutsch finally learned to breathe on her own. A poignant, mature, satisfying drama and, in many ways, ahead of its time. Writers: Michael Cunningham novelDavid Hare screenplay. She and Virginia talk about Vanessa's life in London and Virginia's mental condition.

Leonard questions her as to why someone has to die. Pregnant with her second child, Laura Brown spends her days in her tract home in Los Angeles with her young son, Richie, and escapes from her conventional life by reading Mrs Dalloway.

On the surface they are living the American Dream , but she is nonetheless deeply unhappy. She and Richie make a cake for Dan's birthday, but it is a disaster.

Her neighbor Kitty drops in to ask her if she can feed her dog while she's in the hospital for a procedure. Kitty reveals that the procedure is related to the fact that she has been unable to conceive, and may portend permanent infertility, and that she really feels that a woman is not complete until she is a mother.

Kitty pretends to be upbeat, but Laura senses her sadness and fear and boldly kisses her on the lips; Kitty acts as if it didn't happen.

Laura and Richie successfully make another cake and clean up, and then she takes Richie to stay with a babysitter, Mrs.

Richie runs after his mother as she leaves, fearing that she will never come back. Laura checks into a hotel, where she intends to commit suicide.

Laura removes several bottles of pills and Mrs Dalloway from her purse and begins to read it. She drifts off to sleep and dreams the hotel room is flooded.

She awakens with a change of heart and caresses her belly. She picks up Richie, who fearfully tells his mother he loves her, and they return home to celebrate Dan's birthday.

New Yorker Clarissa Vaughan is the embodiment of the novel's title character. She spends the day preparing for a party she is hosting in honor of her former lover and friend Richard, a poet and author living with AIDS who is to receive a major literary award.

Clarissa, who is bisexual and has been living with Sally Lester for 10 years, was in a relationship with Richard during their college years.

She meets with Richard's ex-lover Louis Waters, who has returned for the festivities. Clarissa's daughter, Julia, comes home to help her prepare.

Clarissa visits Richard and he tells Clarissa that he has stayed alive for her sake and that the award is meaningless because he didn't get it sooner, until he was on the brink of death.

She tries reassuring him. Richard often refers to Clarissa as "Mrs. Dalloway" — her namesake — because she distracts herself from her own life the way that the Woolf character does.

Richard tells Clarissa that she is the most beautiful thing that he ever had in life, before he commits suicide in front of her. Later that night, Richard's mother, Laura Brown, arrives at Clarissa's apartment.

Laura is aware that her abandonment of her family was deeply traumatic for Richard, but Laura reveals that it was a better decision for her to leave the family after the birth of her daughter than to commit suicide.

She does not apologize for the hurt that she caused to her family and suggests that it's not possible to feel regret for something over which she had no choice.

She acknowledges that no one will forgive her, but she offers an explanation: "It was death. I chose life. The film ends with Virginia's suicide by drowning with a voice-over in which Virginia thanks Leonard for loving her: "Always the years between us.

Always the years. Always the love. Always the hours. On January 10, , it expanded to 45 screens, and the following week it expanded to On February 14 it went into wide release, playing in 1, theaters in the US and Canada.

It was the 47th highest-grossing film of Critics praised Daldry's direction, the musical score, and the performances of the three central characters.

Kidman's performance was widely acclaimed, and she won numerous awards for her portrayal of Virginia Woolf, including the Academy Award for Best Actress.

The consensus says that "the movie may be a downer, but it packs an emotional wallop. Some fine acting on display here. Richard Schickel of Time criticized the film's simplistic characterization, saying, "Watching The Hours , one finds oneself focusing excessively on the unfortunate prosthetic nose Kidman affects in order to look more like the novelist.

And wondering why the screenwriter, David Hare, and the director, Stephen Daldry, turn Woolf, a woman of incisive mind, into a hapless ditherer.

Moore's Laura is trapped in the suburban flatlands of the '50s, while Streep's Clarissa is moored in a hopeless love for Laura's homosexual son Ed Harris, in a truly ugly performance , an AIDS sufferer whose relentless anger is directly traceable to Mom's long-ago desertion of him.

Somehow, despite the complexity of the film's structure, this all seems too simple-minded. Or should we perhaps say agenda driven?

This ultimately proves insufficient to lend meaning to their lives or profundity to a grim and uninvolving film, for which Philip Glass unwittingly provides the perfect score — tuneless, oppressive, droning, painfully self-important.

When he tries to signal one, criminals distract it by shooting at it, demanding to be rescued first. This leaves Nolan furious, but he has to return to his daughter to charge the battery before he can do more.

Nolan manages to also find an ambulance on a flooded street outside. He calls for help using the ambulance's radio, but can't wait for a reply when he has to return to the room to charge the battery.

Nolan attempts to find a spare battery, but has no luck. After running back upstairs and charging the battery, he returns and finds a generator in a flooded basement room, but it is ruined from water, and almost electrocutes him.

Nolan barely returns to the room in time to charge the battery again. Despite being awake for over 36 hours without power and running low on food, his hand cut from cranking the generator , Nolan continues to come up with more clever ways to charge the battery i.

He also plays games with Sherlock, like playing fetch with him and sharing his lunch meat given to him by one of the hospital cooks. Looters soon start to break into the hospital and steal food, drug and saline water for the baby.

One comes in Nolan's room and tries to steal food but gets attacked by Sherlock, who runs him off. Nolan later realizes that this man had robbed and killed the nurse who was bringing back supplies as she promised earlier.

Since he hasn't slept in almost two days, Nolan takes a shot of some adrenaline to keep himself awake. Two more looters later break in the hospital and try to steal drugs to get high with and sell.

When Nolan finds that they are both armed with guns, Nolan takes two shots of the adrenaline and sneaks up on one, injecting him with it and giving him a fatal overdose.

Nolan takes his Marlin lever-action rifle and surprises the other thug, who has discovered his baby. Nolan shakes his head "no" while holding the rifle on him, trying to get him to leave them alone.

However, the man tries to shoot Nolan in revenge so Nolan shoots him in the head, vowing to his daughter that he will let no one hurt her. Nolan is now so exhausted he cannot crank it with his hand any longer.

Nolan has to use both his hands to slowly crank the handle, but breaks it off accidentally. Nolan's attempts to fix the crank generator fails, so he gives his child mouth-to-mouth resuscitation to keep her alive.

Before he can do any more, Nolan passes out from shock, stress, and exhaustion. Reilly Dan Brown. Miranda Richardson Vanessa Bell. Stephen Daldry Director.

Scott Rudin Producer. Michael Cunningham Writer Novel. David Hare Writer Screenplay. Mark Huffam Executive Producer. Seamus McGarvey Director of Photography.

Maria Djurkovic Production Designer. Ann Roth Costume Designer. Peter Boyle Film Editor. Philip Glass Music. November 15, Full Review….

February 11, Full Review…. June 24, Full Review…. August 20, Full Review…. January 30, Full Review…. February 25, Rating: A- Full Review…. View All Critic Reviews Oct 17, Technically sound performances by the three leads are destroyed by a dullness to their tales.

The Hours leaves you wanting to use these actresses more efficiently. John B Super Reviewer. Jun 19, Great cinematography with even greater performances all around.

The Hours is solid from beginning to end with a unique premise and a topic that is rarely absorbed. I really appreciated this film.

Jul 29, Great actings in a sentimental, but nice picture. Lucas M Super Reviewer. Jul 01, Very depressing and very well crafted.

The whole subject matter about this amazing film is depression. You have probably seen many films about depression but not as depressing as this one.

You will not once smile or laugh at this. But not all films have to be happy. Many people think they have to be but they don't. Films are also art that sometimes have deeper meanings.

The best part about this sad film has to be the acting. I was blown away at what was displayed here. When I watch a film the acting has to be good.

I have noticed that the acting is what I pay most attention too. It's also the artistic aspect that I value most in a film. Why was the acting good?

Well, the actresses in this film displayed real emotion and they keep me interested the whole time. Everything else was good but not perfect.

The direction was good. Very good choice in camera angles. The camera was a paint brush and it painted the faces of the despondent actresses.

The production was favorable. Very good choice in costume design and scenery. The writing was okay. It was artistic and smart.

But the conflict was a bit week. That wasn't so much of a downer considering that the writing overall was decent.

So, I would recommend this only to passionate viewers of cinema. It's not for everyone. Eduardo T Super Reviewer.

See all Audience reviews. Virginia Woolf: I don't think two people could have been happier than we have been. Virginia Woolf: Someone has to die in order that the rest of us should value life more.

It's contrast. Virginia Woolf: Mrs. Dalloway said she'd buy the flowers herself. Laura Brown: Reading aloud Mrs. Laura Brown: [reading aloud] Mrs.

Clarissa Vaughn: [shouting] Sally, I think I'll buy the flowers myself! Clarissa Vaughn: I remember one morning getting up at dawn, there was such a sense of possibility.