
Police Story 2013 Inhaltsangabe & Details
Das Verhältnis zwischen Interpol-Cop Zhong Wen und seiner Tochter Miao Miao ist angespannt. Als sie ihn auf ein Treffen in die Bar des zwielichtigen Wu Jiang einlädt, hofft Wen auf einen Neuanfang. Doch schnell merkt er, dass er in eine Falle. Jackie Chan muss in dem Action-Thriller Police Story – Back for Law ein Entführungsopfer retten. Police Story (chinesisch 警察故事, Pinyin Jǐngchá Gùshì, Jyutping Ging2caat3 Gu3si6) ist eine Police Story 2 () | Police Story 3 () | Jackie Chans Erstschlag () | New Police Story () | Police Story – Back for Law (). Police Story Police Story“ ein Reboot seiner berühmten Filmreihe lieferte, folgt mit „Police Story — Back for Law“ nun die insgesamt sechste Auflage. Police Story – Back for law (auch unter Police Story ) ist nun der fünfte Teil dieser gleichnamigen Serie die jedoch mit den Vorfilmen nichts gemein hat. Police Story - Back for Law Film - Kritik „Police Story - Back for Law“ sollte eigentlich ein dramatischer, höchst intensiver wie düsterer Rache-Thriller. Eine der Paraderollen von Kung Fu-Tausendsassa Jackie Chan ist die des schlagkräftigen Cops in den „Police Story“-Filmen. Von denen.

The editor tried way to hard to make it fast and crazy this was only for the action scenes, most notably in the car chase scenes , but the truth is, it is just way to damn fast, the cuts are incredibly fast and also you can notice tons of jump cuts look that up if you don't know what that is which as many filmmakers know is a no no, on top of that too I love the fact that things happened throughout the film that trick you and it turns out its just an alternate scenario, but there are some pretty cheesy editing going on here sometimes for example when they freeze the frame to me this felt extremely amateurish.
My final conclusion I cannot stress enough how much the editing bothered me, and about 10 percent of the special effects shown. Looking for something to watch?
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Guli Nazha Xiao Wei. Na Wei Na Na. Liu Yiwei General Manager Niu. Liu Hailong Pi Song. Zhou Xiao'ou Wei Xiao Fu. Yu Rong-Guang Captain Wu. Sheng Ding Director.
Sheng Ding Screenwriter. Jackie Chan Producer. Ding Yu Cinematographer. Lao Zai Original Music. June 4, Full Review…. June 4, Rating: C Full Review….
March 4, Full Review…. June 6, Rating: D Full Review…. June 5, Full Review…. View All Critic Reviews 8. Nov 10, This is my first Police Story movie that I've seen, though I own the first one, I believe, on DVD and let's just say that it wasn't anything that you need to go out of your way to see.
Jackie Chan, at as of today, November 10, , is a year-old man. It's obvious that this film isn't gonna see him do the crazy stunts that he would've done for the first Police Story, for example.
The days of doing super crazy shit are behind Jackie and, honestly, it's for the best, because this guy has put himself through hell for our entertainment.
But, even with that, there was something missing from this movie. Even later period Jackie films usually had him being a goof, going around and trying to at least entertain you with more comedic elements, if he couldn't thrill you with his stunts and his fighting skills.
This movie, however, strips every that Jackie has been known for away and you get a more serious and gritty side of him. I suppose the idea is the that he wants to do something different and 'stretch' his dramatic muscles, so to speak.
But I genuinely don't think there's anything longtime Jackie fans will find to like here. I mean, it's not a terrible film in the slightest, it's below average at best.
It's just there's no action, there's no goofiness, there's nothing here. It's a film that exists for the sake of existing. The story itself, with the 'villain' trying to figure out who was responsible for his sister's death, going all over the place.
The pacing is absolutely terrible. It combines various elements without really sticking strongly to one of them. But there's just nothing of importance really going on here.
The exposition is just really poorly written. There's no reason given to care about any of the main characters of the film. I don't even know how to describe the story, just know that you will not care one bit and none of it will flow naturally, these tonal shifts pretty much destroy the movie.
Like I said, it tries to be too many things at once without ever being good at any of them. The best part of the film, or at least the most fun part, are the outtakes that play during the credits.
I realize that this has been a Chan trademark for the longest time now, but it feels so out of a place in a film that's going out of its way to tell a 'darker' story.
So it, honestly, feels completely out of place. But it's still the most fun you'll have watching this movie.
This just isn't very good and it really won't appeal to Chan's longtime fans or anyone else for that matter.
Nothing special, but not terrible, I just don't think it's something that's worth watching. So, clearly, I can't recommend it.
Jesse O Super Reviewer. Jun 05, Pretty solid. I thought this was going to be horrible, and although a lot of the plot development is convoluted, this ended up being a pretty solid film.
I like how the film has somewhat of a frame narrative in attempt to add suspense to the story. At first, you're not sure why any of the hostages were selected, but by the end of the film, you know for sure.
I feel that the Police Story films are some of Jackie Chan's best. Stephen S Super Reviewer. Feb 04, The "Police Story" franchise hasn't always been consistent with it star playing different protagonists and the tone of the series changing, but each installment has parallel star Jackie Chan goal as an actor.
Making it hard to believe a film series that's known for stunt work becomes obsolete with a focus on drama in this installment. It's a departure for the "Police Story" series and Jackie Chan as an actor as he puts forth into going into a new direction.
Police Story is about a criminal looking for the release of a long-time prisoner taking a police officer, his daughter, and a group of strangers hostage.
The plot is "Die Hard"-esque taking place entirely in one location and just like its last two predecessor this entry follows a different character.
Unfortunately what it doesn't borrow from "Die Hard" is intelligence. The main character, Zhong Wen, will usually attempt to imagine what will happen in a given scenario.
This plot device comes with mixed results showing Zhong Wen is looking at all the possibilities, but in context it also means if something exciting happens it holds no bearing on the plot.
That also applies to Zhong Wen flashbacks when he's figuring out who the villain is and his motivation for holding certain people hostage. Just like Wen's imagination the flashbacks come with mixed results as most of the action scenes are in flashbacks usually with no relevance to the main plot.
Although the major gripe towards this film has be the severe lack of henchmen. Now the film setting is a old factory turned nightclub which from what we seen is huge.
Our villain of the film appeared to have only brought four henchmen working for him to secured the area, keep an eye on the hostages, look for Zhong Wen, make bombs, and other activity is understaffed.
Of course in any action movie we expect the hero will overcome the odds a role that is reverse in this.
It doesn't work because the few henchman know only to do one thing leaving the audience to wait for the inevitable to occur.
On a positive note Zhong Wen is well developed as a flawed hero with his actions resulting in some sort of casualty on himself. Going up against a villain who's not only just as calculating, but pushes him morally drawing the line between being a good father and being a good officer.
The film villain, Wu Jiang, is an entirely different story. Wu Jiang motivation somewhat parallels Wen as a character as both lost someone important to them effecting them drastically.
Both characters are very human, but the villain scheme is out of place. It's requires you to disbelief reality once his plan get started.
Only occurring and working as well as it did through sheer luck and coincidence. Supporting characters while not as defined do play a role in the plot once the mystery becomes clearer.
Fitting it's main motif of spider webs seeing how seemingly unrelated events are connected. Doing just enough in it limited setting to keep things interesting even if it doesn't reach the emotional height it aimed for.
Jackie Chan plays a more grounded, vulnerable, and flawed hero. The role demands Chan to carry the film solely on his acting. Relying little on humor Chan is serious all the way through.
Coming off as man who's out of his own league burdened by his troubled personal life. Getting across his job has taken a serious told on Chan as throughout the film Chan is always suspicious of other people.
Keeping his emotions restricted from doing his job even when interacting to others. His trust on characters will determine how he comes across towards other.
Anyone going into this solely to see Jackie Chan in action mode will be disappointed. What little fight scenes there are don't last long.
This is a role that demands Chan the actor to take center stage over acrobatics and martial artist Chan.
For a man whose 59 he's still fast in his fights and while his dangerous stunts are absent Chan himself isn't.
Yu Liu who plays Wu Jiang stays one note hardly changing his facial expressions. His line delivery on the other hand are more varied in invoking emotions.
Tian Jing whatever screen time she has performs well having solid chemistry with Chan. Director Sheng Ding did a fine job as a director, but as an editor is sloppy when it comes to the action.
What little action there is rapidly cut, shaking, and distorted making action scenes a series of jigsaw pieces that don't fit. Police Story is a huge departure both for the series and star Jackie Chan focusing heavily on drama and spending little on action.
Chan demonstrates strength in his acting abilities widening his range as an actor than just being a man of action.
It's a film that will differentiate the true Chan fans that like the actor for his risks over the non fans who just want action film escapism.
Anyone expecting the typical "Police Story" or Jackie Chan film will leave disappointed, but anyone interesting in seeing the series and star experiment will find a decent movie.
Caesar M Super Reviewer. Jan 17, Don't bother. Chrisanne C Super Reviewer. See all Audience reviews.
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Schade, denn Tera X eigentliche Inszenierung John Berry der Soundtrack können über weite Strecken gekonnt überzeugen. Spy Daddy. Wu nimmt ihn, seine ahnungslose Tochter und die anderen Gäste der Bar als Geisel, um die Freilassung eines Häftlings zu erpressen. Neu ab 9. Verfügbar auf. Von Ding Sheng. Police Story. Martial-Arts Ikone Jackie Chan, der in seiner bisherigen Karriere schon in über Filmen mitgespielt hat, möchte auch weiterhin dem Filmgeschäft treu bleiben, auch wenn es nicht Barry Sheene die riskantesten Stunts sein müssen, denn immerhin ist Chan auch schon 60 Jahre alt. Diese Webseite benutzt Cookies. Er will sich nun für seine Festnahme an Kevin rächen, indem er ihm den Mord an einem anderen Polizisten anhängt. Also darf der Polizist in Rückblenden über Fälle sinnieren, die seine Beteiligung Ina Bredehorn könnten. Peter Cheung. Wu nimmt ihn, seine ahnungslose Tochter und die anderen Gäste der Bar als Geisel, um die Freilassung eines Häftlings zu erpressen. Februar in Deutschland zudem indiziert war, lässt ca. Die Szenen, die in der alten FSK Fassung fehlten, sind in der ungeschnittenen Fassung jedoch nicht synchronisiert worden und liegen somit im kantonesischen Originalton mit Independence Day Schauspieler Untertiteln vor. Originaltitel Ging chaat goo si. Kommentare JavaScript muss aktiviert sein, um dieses Formular zu verwenden. Xi you xiang mo pian.
Doch nicht nur er, auch die meisten Geiseln sind involviert. Karate Kid. Spy Daddy. Neu ab Weitere Filme mit Jackie Chan Superfighter 3. Die alte FSK That Girl ist zusätzlich um ca. Wu nimmt ihn, seine ahnungslose Tochter und die anderen Gäste der Bar Ein Ganzes Halbes Jahr Kinox To Geisel, um die Freilassung eines Häftlings zu erpressen.
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Und, was hier des Lächerlichen?
der sehr lustige Gedanke