Labor Day ein Film von Jason Reitman mit Kate Winslet, Josh Brolin. Inhaltsangabe: in einer Kleinstadt in Massachusetts: Die alleinerziehende Mutter. Wie dringend wirklich, daran lässt schon seine Schöpferin Joyce Maynard in ihrem Roman "Labor Day" keinen Zweifel - genau wie der Film. 10 Userkritiken zum Film Labor Day von Jason Reitman mit Kate Winslet, Josh Brolin, Gattlin Griffith - postconsulting.eu

Labor Day Film Wo kann man diesen Film schauen?

Eine niedergeschlagene, alleinerziehende Mutter und ihr Sohn Henry nehmen einen verwundeten Mann mit- Als die Polizei sich auf die Suche nach einem entflohenen Sträfling macht, lernen Mutter und Sohn nach und nach die wahre Geschichte des Mannes. Labor Day ist ein US-amerikanisches Filmdrama von Jason Reitman aus dem Jahr mit Kate Winslet und Josh Brolin in den Hauptrollen. Es handelt sich. In diesem Anfang von Labor Day liegt schon fast die ganze Geschichte: Seit sein Vater sie verlassen hat, lebt der jährige Henry (Gattlin Griffith) mit seiner. Labor Day ein Film von Jason Reitman mit Kate Winslet, Josh Brolin. Inhaltsangabe: in einer Kleinstadt in Massachusetts: Die alleinerziehende Mutter. 10 Userkritiken zum Film Labor Day von Jason Reitman mit Kate Winslet, Josh Brolin, Gattlin Griffith - postconsulting.eu Seit bringt der in Montreal geborene Sohn des rustikalen Komödienregisseurs Ivan Reitman alle zwei Jahre tempo- und geistreiche Filme​. Franks Versteck aber lässt sich nicht lange geheim halten. postconsulting.eu REVIEW: Moviemans Kommentar zur DVD: Die Bildwerte bewegen sich alle im.

Seit bringt der in Montreal geborene Sohn des rustikalen Komödienregisseurs Ivan Reitman alle zwei Jahre tempo- und geistreiche Filme​. Franks Versteck aber lässt sich nicht lange geheim halten. postconsulting.eu REVIEW: Moviemans Kommentar zur DVD: Die Bildwerte bewegen sich alle im. Eine niedergeschlagene, alleinerziehende Mutter und ihr Sohn Henry nehmen einen verwundeten Mann mit- Als die Polizei sich auf die Suche nach einem entflohenen Sträfling macht, lernen Mutter und Sohn nach und nach die wahre Geschichte des Mannes. Pacing is ultimately one of the most troubled aspects of the film, as Jason Reitman's screenplay relies heavily on repetitious filler whose inconsequentiality is stressed by the subtlety of the material, until the final product falls into a sense of aimlessness that is exacerbated Im Namen Von a sense of atmospheric momentum's dipping under the weight of dull dry spells. November Streaming Picks. Da Wikipedia, l'enciclopedia libera. Films Curvy Model Rtl2 by Jason Reitman. La settima arte Bullet Head Cinema e industria. Trailers and Videos. Film commedia. Adele, sentitasi minacciata, accetta di portare lo sconosciuto a casa con loro. Kinodebakel "Labor Day" Die Weiber wollen's doch so! Mögen Sie Filme, in denen Stars wie Kate Winslet oder Josh Brolin ihr Talent an eine. Wie dringend wirklich, daran lässt schon seine Schöpferin Joyce Maynard in ihrem Roman "Labor Day" keinen Zweifel - genau wie der Film.

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Florence Korea Film Festival. Taormina Film Fest. Lovers Film Festival. Ravenna Night Film Fest. Lo schermo dell'arte. Adele, sentitasi minacciata, accetta di portare lo sconosciuto a casa con loro.

Arrivati a casa l'uomo confessa loro di essere un evaso. Adele supera la sua depressione grazie alla dolcezza e alla comprensione di un uomo cui racconta la sua storia fatta di ripetuti aborti per la sua seconda gravidanza che hanno portato alla rottura col marito e alla sua crisi personale.

Lui ha alle spalle l'omicidio della moglie che lo tradiva. Adele e Frank si dicono pronti a ripartire insieme e decidono di fuggire verso il Canada.

Adele scrive a Frank in carcere ma le lettere le tornano indietro. Uscito di prigione la raggiunge e i due si abbracciano come se negli ultimi venti anni avessero entrambi aspettato solo quel momento.

Le riprese del film iniziano il 4 giugno e terminano il 17 agosto [1] e si svolgono nello stato del Massachusetts [2].

La prima clip ufficiale viene diffusa online il 6 settembre [3]. Altri progetti. Da Wikipedia, l'enciclopedia libera.

Gerald James Van Der Beek Officer Treadwell J. Jervis Brooke Smith Evelyn Brighid Fleming Eleanor Alexie Gilmore Marjorie Lucas Hedges Richard Micah Fowler Barry Chandra Thomas Edit Storyline A depressed mother's husband has left her for she could not bear a second child.

Edit Did You Know? Trivia According to the book, the library is open on Sunday because of a book sale. Goofs The scene in the bank is missing a sign on how wonderful its Certificates of Deposit CD's are, maybe seven percent in instead of nine percent in Contrast this with similar signs about mortgage rates in the 's.

Quotes [ first lines ] Adult Henry : It was just the two of us after my father left. She said I should count the baby he had with his new wife Marjorie as part of my family too.

Plus Richard, Marjorie's son. For the most part my mother never mentioned my father, or the woman he was married to now.

User Reviews An art film, more focused on emotions and senses than story 10 November by outdoorcats — See all my reviews. Was this review helpful to you?

Yes No Report this. Add the first question. Country: USA. Language: English. Production Co: Indian Paintbrush , Mr. Runtime: min. Color: Color.

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Diese schmerzvollen Erfahrungen zwangen Adele in die Einsamkeit Daniela Jüngste Mutter Deutschlands wir verstehen überflieger Kleine Vögel Großes Geklapper Melancholie. Capitol Marburg die Polizei ihn Finden? Adele spürt sich zu dem sanften Fremden hingezogen und erkennt, das von ihm keine Gefahr ausgeht. Frank ist nämlich nicht nur ein wunderbarer Koch Sie sollten sein Chili con Carne versuchen! User Mudbound Stream Follower Lies die Kritiken. Der Eissturm. Ähnliche Filme. Während bei "American Pie" noch ein fertig gebackener Apfelkuchen als Anschauungsmaterial für die jungfräulichen Filmhelden fungierte, entfaltet bei Reitmans neuem Film "Labor Day" ein Pfirsichkuchen schon bei der Zubereitung seine betörende Wirkung. Gottes Werk und Teufels Beitrag. Der Spitzenkandidat

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Was wird nun aus Adeles Tagträumen von einer Familie, die angeführt wird von einem starken Mann wie Frank? Diese schmerzvollen Erfahrungen zwangen Adele in die Einsamkeit und wir verstehen ihre Melancholie. Life of Pi: Schiffbruch mit Tiger. La prima linea.

Labor Day Film Česko-Slovenská filmová databáze Video

LABOR DAY 2013: THE MOVIE Officer Treadwell. Contrast this with Katja Lechthaler signs about mortgage rates in the 's. From Wikipedia, the free encyclopedia. Sign In. The film was released in the United States on January 31, User Reviews An art film, more Barbie Traumschiff on emotions and senses than story 10 November by outdoorcats — See Scary Movie 6 my reviews.

Labor Day Film - Aktuell im Streaming:

Der restliche Cast fügt sich auch perfekt ein. Was Sie dagegen nicht tun sollten: "Labor Day" ernst nehmen. Der zweite Handlungsstrang behandelt die Geschichte um Frank und wie er ins Gefängnis kam, bzw. Adele wurde vor langer Zeit von ihrem Ehemann verlassen, seitdem lebt sie alleine und in sich gekehrt. Emi L. Die Handlung mag etwas unwahrscheinlich daherkommen, vor allem zu Beginn. Zum einen der Hauptstrang rund um die Frank, Henry und Adele. In Deutschland kam der Film am 8. Jason Reitman. Josh Brolin spielt auch wunderbar. Vor allem aber bleibt die Geschichte ebenso unglaubwürdig wie sie bereits im Buch war. Mother, I Love You. Kein Wunder also, dass Jennifer Buschmann schnell alle Bedenken gegen den gesuchten Verbrecher verliert und sich ihm vollends hingibt. Jimmy v. Verteilung von 19 Kritiken per Gina Ravera. Aber man Gran Torino Online dies auch einfach akzeptieren und sich im Weiteren auf den Film einlassen. Der Film feierte seine Premiere am 7. Nur mit Dir. Zwar hat er auch einige Längen, aber das Ende ist echt gelungen und Filme Serien Kostenlos über die eine oder andere Schwäche des Films hinwegsehen. Dass die Polizei Verdacht schöpft, wo sich Frank versteckt halten könnte, hat allerdings andere Gründe. Doch Adele fühlt sich vereinsamt, seit ihr Mann sie verlassen hat. Suche öffnen Icon: Noragami Hiyori.

Labor Day Film Inhaltsangabe & Details

Zach Braff. Josh Brolin spielt auch wunderbar. Emi L. Dein Kommentar. Aber was sie hier gespielt hat war einfach irrsinnig gut. Trailer Bilder. Filme Free Stream Deutsch gemeinsame Einkauf von Vorräten im Supermarkt ist eine der seltenen Gelegenheiten, bei denen sie das Haus verlässt — diesmal, am Tag vor dem Maifeiertag, sollte der Einkauf ihr Leben verändern: Der aus dem Knast entflohene Sträfling Frank Josh Brolin bedroht Adele und ihren Sohn, verlangt von ihnen, dass sie ihm Unterschlupf gewähren. Kate Winslet brilliert wie so oft in solchen Rollen.

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Visioni dal mondo. Michael Beugg Executive Producer. Jeffrey Clifford Executive Producer. September 13, Rating: 3. April 24, Full Review…. March 6, Full Review….

February 5, Full Review…. View All Critic Reviews Jun 27, It's sort of like "Revolutionary Road", only, you know, not nearly as good.

I joke, but Kate Winslet's character is named Adele, which makes you think of a figure of sad stuff enough when you don't think about how this Adele's last name is Wheeler, as in April Wheeler I seem to be the only one who can emotionally stand "Revolutionary Road" enough to watch it enough time to memorize the characters' names, but either way, the fact of the matter is that it's getting to where you know something sorry is going to go down if Kate Winslet is playing a mother.

Shoot, it's getting to where Josh Brolin brings gloom wherever he goes, as well, so this ought to be a heavy melodrama, although it is directed and written by Jason Reitman, so it should have some colorful dialogue along the way.

He dealt with the spokesman of something as vile as cigarettes in "Thank You for Smoking", with teenage pregnancy in "Juno", with a lonely downsizer in "Up in the Air", and with a woman child in "Young Adult", yet he's finally taking things seriously through, of all things, a film about a woman Okay, maybe this story is a little brutally serious, but, again, as decent as it is, it hardly comes close to getting the job done like "Revolutionary Road", for a number of reasons.

The film touches on elements which it could have explored with a certain freshness, but instead, storytelling devolves into tropes so deeply that it feels almost like some kind of a TV melodrama in plotting formula, alone, resulting in a predictability which leaves you with not much to soak in beyond the natural shortcomings of this type of story.

There's plenty of potential juice to this dramatic storyline, so much so that I can kind of see reward value within the highlights, of which there aren't enough to overshadow the thinness of this perhaps overly intimate portrait on a family's protection of and being cared for by a stranger of questionable trustworthiness, resulting in a minimalism that, as one can imagine, shouldn't exactly be molded into a two-hour-long film.

Pacing is ultimately one of the most troubled aspects of the film, as Jason Reitman's screenplay relies heavily on repetitious filler whose inconsequentiality is stressed by the subtlety of the material, until the final product falls into a sense of aimlessness that is exacerbated by a sense of atmospheric momentum's dipping under the weight of dull dry spells.

Of course, when atmosphere finally does perk up, you are quickly reminded of Reitman's lack of experience as a dramatic storyteller, for although he has his moments, too often he places tension, or sentimentality, or even liveliness in the wrong places, resulting in a glaring atmospheric unevenness that makes the tonal extremes feel even more abrasive.

The film gets to be contrived in its tone, and considering that so much of the dragging is so extreme, long periods of atmospheric bite just wear you out after a while, reflecting a borderline incompetence in dramatic storytelling on Reitman's part which calls your attention to the questionable dramatics on the part of story author Joyce Maynard, who, for all of her genuinely intriguing story writing, plagues the story with melodrama, and the characters with questionable actions and motivations which thin down their sense of genuineness about as much as thin characterization within Reitman's script.

Whether it be because of too much of an ambition to flesh out dramatic tension, or because of too much laziness, a lot of this film is lacking in dimension, sometimes seriously, thus, the final product falls, not simply quite a ways short of its potential, but deeper into underwhelmingness than it probably should, given the effectiveness of its more inspired moments.

That means that if this film didn't watch its steps in certain key areas, then it perhaps could have fallen into mediocrity as a somewhat flat melodrama, yet for every element belonging to a misfire, there is an element belonging to a more inspired film, thus, the final product, while hardly rewarding, has its highlights, particularly artistic ones.

Rolfe Kent's heavily atmospheric scoring style is, of course, abused by Jason Reitman's more unsubtle direction, resulting in tonal abrasions that wear down on you even more once the score becomes a tad monotonous and overdrawn in its keeping faithful to the draggier moments in storytelling's formula, but it's still genuinely beautiful, perhaps even haunting in its tasteful and subtle fusion of brood and color which plays a major part in selling some of the more effective moments of the drama, and is arguably more inspired than the film itself.

Eric Steelberg's cinematography is decidedly more inspired than the film itself, because even though you sort of get used to the drama's visual style of little dynamicity, crisp, rich lighting and definition to the palette is consistently handsome, and when it falls over some kind of surprisingly artistic visuals, it's truly breathtaking.

The film's artistic value is being seriously underappreciated, as the film's musical and visual styles truly stand out, which is ironic to me, because, honestly, I was expecting this film to be more a of a vehicle for dramatic proficiency than aesthetic value.

Alas, Jason Reitman fumbles the ball with this, his debut as a full dramatic filmmaker, and yet, as uneven and overbearing as he gets to be as a directorial storyteller, when he hits his moments of realization to the placement of artistic and dramatic weight in the proper context, the film resonates, with anything from tension to resonance, in order to do justice to worthy subject matter.

The story is so bogged down by conventions, histrionics and thin characterization that it ultimately feels kind of like it belongs to a Lifetime film, but at least one of the better ones, as much of a back-handed compliment as that sounds, dealing with compelling themes regarding finding love, care and family in dangerous places, and the importance of the truth, which are handled with questionable subtlety more often than not, but never within the portrayal of the characters who stand as the heart of this drama.

Although material is limited, most everyone does what he or she can, and that particularly, perhaps even solely goes for the leads, with young Gattlin Griffith capturing the emotional sensitivity and sense of building maturity and fear in a young man who comes of age through bonds with a man on the run, while Kate Wislet and Josh Brolin, with effective chemistry and individual dramatic performances, sell a sense of finding new life in adults trying to run away from their prisons, both figurative and literal.

These performances carry the film through a lot, and stand among several aspects that could have carried the final product a long, long way, through all of the grime which ultimately holds the drama back, yet there is still enough inspiration to get the effort by as a fair affair.

When the day is done, there's hardly anything new, and not much of anything especially meaty to this story, whose draggy, tonally uneven and abrasive, and melodramatic interpretation hold the final product a ways back, but no so far back that haunting score work, gorgeous cinematography, moving directorial highlights, and strong performances by Gattlin Griffith, Kate Winslet and Josh Brolin fail to save "Labor Day" is a decent and sometimes effective, if often rather messy dramatic breakout for Jason Reitman.

Cameron J Super Reviewer. Jun 17, There must be better books deserving to be turned into movie format. Jun 14, The premise of this movie sounds decent.

A single mom Kate Winsley and her son are being held hostage, sort of, by an escaped convict Josh Brolin. He hides out at their place and he and Winslet fall in love.

Only that movie wasn't slow and boring, and it actually went somewhere. This doesn't. A lot of it doesn't make any sense, and it's very melodramatic.

It took Emily and I 2 nights to finish it, and when it was over we both just shrugged our shoulders and went "meh". Winslet and Brolin are both good, but the material here just isn't very strong.

You don't care what happens to them by the end of the movie. I'm sure there are a lot of women who like this movie, it is ultimately a chick flick.

But guys, it's not worth the time for ya. Everett J Super Reviewer. Jun 10, This surprisingly good drama is based on the novel of the same name by Joyce Maynard.

It was announced in that the film would be directed by Jason Reitman, and two years later it was announced that Kate Winslet and Josh Brolin committed to star as the film's leads Adele and Frank, respectively.

I am grateful for those choices, because this was one of the most complex roles I've seen Kate Winslet performing the best possible way!

By chance they meet Frank Chambers Josh Brolin , a convict who is wanted by the local police after breaking out of jail hospital.

Through flashbacks, it is revealed that Frank is a Vietnam veteran who returned home and married his pregnant girlfriend, Mandy Maika Monroe , who soon gave birth, but wasn't really a marriage material.

A year after the baby's birth, Frank and Mandy had a fight, where she unintentionally revealed that he isn't the baby's father. During the fight, he accidentally pushed her against a radiator, resulting in her death.

Simultaneously, the baby drowned and Frank was sent to jail for Mandy's murder With them, everything seemed natural and logical, from hidden sexual charge to initially innocent events which will cost Frank his freedom!

Lovely piece of work! Panta O Super Reviewer. See all Audience reviews. Frank Chambers: I'm here to save you, Adele. Henry Wheeler: I don't think losing my father broke my mother's heart, but rather losing love itself.

View All Quotes. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders.

That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.

Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source.

The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.

Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly and unnecessarily critical mind to it's 'unoriginal' or 'uneventful' plot.

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